Wikipedia:
During his time as an editor, reporter, and writer for Billboard Magazine, Wexler coined the term "rhythm and blues." He became a partner in Atlantic Records in 1953. There followed classic recordings with Ray Charles, the Drifters and Ruth Brown. With Ahmet and Nesuhi Ertegn, he built up Atlantic Records into a major force. In 1967 he was named Record Executive of the Year for turning Aretha Franklin's career around.[1]
In the 1960s, he notably recorded Wilson Pickett and Aretha Franklin, and oversaw production of Dusty Springfield's highly acclaimed Dusty in Memphis album. He also cultivated a tight relationship with Stax Records, was an enormous proponent of the then-developing Muscle Shoals Sound and founded the fortunes of Muscle Shoals Sound Studios and the Muscle Shoals Rhythm Section. His work in this decade put Atlantic at the forefront of soul music.[2]
In 1968, he and Ahmet Ertegun signed Led Zeppelin to Atlantic Records on the strength of a demo tape played by the band's manager Peter Grant and from what they knew of the band's guitarist, Jimmy Page from his performances with The Yardbirds.
In 1975 Wexler left Atlantic Record for Warner Bros. Records. In 1976 Wexler produced a great record for the soulful Vocalist/Keyboardist Michael Finnigan featuring the Muscle Shoals Rhythm Section, but was ignored by the public due to no push and help at Warner Bros. at the time. In 1979, Wexler produced Bob Dylan's controversial first "born again" album, Slow Train Coming, at Muscle Shoals; a single from that album, "Gotta Serve Somebody", would win a Grammy in 1980. In the early 1980s, Wexler would record with UK popstar George Michael. The most famous outtake of these sessions would prove to be a rare early version of "Careless Whisper" (also recorded in Muscle Shoals). The version was originally released as "Special Mix" on an early pressing of the single's 12".
In 1987 Wexler was inducted into the Rock and Roll Hall of Fame.[3] Wexler retired from the music business in the late 1990s.
